Also Like Life: The Films of Hou Hsiao-hsien
Fall 2015 Chinese Film Festival
November 3-11
Michigan Theater: See schedule for specific times
Free and Open to the Public
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This film series trailer was prepared for the touring retrospective when it screened last fall at the Museum of the Moving Image in New York.
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An international retrospective organized by Richard I. Suchenski (Dir. Center for Moving Image Arts, Bard College) in collaboration with the Taipei Cultural Center, the Taiwan Film Institute, and the Ministry of Culture of the Republic of China, the Lieberthal-Rogel Center for Chinese Studies presents the Also Like Life Film Series, which will feature the following films: Dust in the Wind; A Time to Live and a Time to Die; Flowers of Shanghai; Good Men, Good Women; and Millennium Mambo.
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Professor Markus Nornes comments on the retrospective: Hou Hsiao-hsien is one of the greatest filmmakers working today, and if you haven't seen his work, this is your chance. The Taiwanese government struck brand new prints, which have been circulating around the world to venues like MOMA, BFI, Eastman House, the Academy, and everywhere else. The Michigan Theater just made a test run, and the projectionist told me he was shocked at the quality of these pristine archival prints. It's a rare treat to see these films on the big screen. I hope to see you there!
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3rd Thursday Speaker Series Features SAC Doctoral Candidate Katy Peplin
Thursday, November 5
SAC Conference Room, North Quad
11:30 a.m.
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Katy Peplin continues this year's series with a presentation of her paper, "Does Anybody Like Dolphins?: Realism, Nature Documentary and the Image."
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Peplin begins with a discussion of Bazin, film critic and theorist who established a special place for animal subjects in his discourses on realism, and the world of scholarship that has followed his original work. She then applies those concepts to the realm of the nature documentary, and traces how changes in technology have caused that genre to adjust what is meant by realism in regards to the natural environment. This leads into the discussion of the medium of blu-ray discs, and how those discs were often marketed in terms of their hyper-realism, showcased by otherworldly images of the natural world. This combination of hyper-reality and realism placed an incredible burden on the body of the animal to be imaginistic, and brilliant in HD, and lead, perhaps in part, to the rise of the digital animal body.
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Lusophone Film Festival
Festival Runs Through Early December
Films Screened at State Theater, Michigan Theater, and UMMA Helmut Stern Auditorium; See Schedule for Specific Times and Locations
Free Admission
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The Lusophone Film Festival showcases the contemporary cinema of the Portuguese-speaking world. It is the second event of its kind in Ann Arbor and at the University of Michigan. The primary objectives of this event are to provide high visibility to the Portuguese language and its cultures at the University of Michigan and throughout the region, while contributing to program-building efforts currently underway in Portuguese.
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Still from Sacred Bush (Kadjike), directed by Sana Na N'Hada. See the screening - with an introduction by Professor Fernando Arena - on November 5th at the State Theater at 7:00 p.m.
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Kadjike is set on the pristine shores of the Bijagós Archipelago, off the coast of W. Africa, and follows the lives and rituals of the islanders as they face up to the threat of drug traffickers in their midst. In the last decade, Guinea-Bissau became a transit hub for cocaine trading between Latin America and Europe. Kadjike is a coming of age drama and a meditation on the schism between traditional Guinean customs and the rising tide of modernity — a constant theme throughout N’Hada’s cinematic career.
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The Lusophone Film Festival is sponsored by the Brazil Initiative/Center for Latin American & Caribbean Studies, LSA, International Institute African Studies Center, Department of Afroamerican and African Studies, Institute for the Humanities, Department of Romance Languages and Literatures, Sheldon Cohn Fund/Department of Screen Arts & Cultures, Center for European Studies, and Rackham Graduate School.
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Gasland: A Multimedia Presentation on Fracking by Josh Fox
Wednesday, November 11
Rackham Auditorium
5:00 p.m. -- Free and Open to the Public
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Goldring Family Foundation Distinguished Speaker Josh Fox, the creator of Gasland I and II, will feature clips and comments from his documentaries in order to showcase environmental issues and their possible solutions.
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This event is hosted by Program in the Environment (PitE) and co-sponsored by Screen Arts & Cultures, Environmental Law & Policy Program, Department of English Language and Literature, Department of American Culture, and the Institute for the Humanities.
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Sacapalooza
Friday, November 13
Studio A, 1440 North Quad
2:00 - 4:00 p.m.
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Power and the Mediterranean Conference
November 13-15
East Conference Room, Rackham Building
Various Speakers and Times
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The Meditopos Conference is a biennial symposium for graduate students and junior faculty working in Mediterranean Studies.
To view the full schedule of conference speakers and titles, click here.
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Keynote address: "The Power of a 'View from Land and Sea' for the Mediterranean World"
Julia Clancy-Smith, University of Arizona
Friday, November 13, 6:00 p.m.
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The third biennial Meditopos conference is presented with generous cosponsorship from the departments of Classics, History of Art and Architecture, Comparative Literature, English, and Screen Arts & Cultures, as well as the program in Modern Greek, the Center for Middle Eastern and North African Studies, the Institute for the Humanities, and the college of Literature, Science, and the Arts.
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THIS WEEK'S FEATURED PHOTO
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During a workshop in the studio, Dawn Hollison's SAC 304 students (from left to right) Sarah Shelby, Camila Peña, and Logan McCulloch reconstruct lighting from a famous film scene and shoot it on 16mm film.
photo courtesy of Alan Young
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